Comparative Titles

To compare or not to compare, that is the query question. 

Cons:

• Everyone thinks his book is unique.
• Comparing oneself to Harry Potter/Twilight/Hunger Games feels both pretentious and preposterous. 

Pros:

• Mentioning other books in your genre shows you’ve done your homework – by reading.
• Complimenting other authors is gracious. 

To be honest, I’ve never compared my manuscripts to published works in any of the many queries I’ve written even though some agents request a title comparison.  

Determining the characteristics of a manuscript can be tricky. Humor is in the ear of the beholder. Saying a novel is sweet feels cloying, while describing it as edgy sounds like the author is trying too hard to be teen-like. You get my drift.

I went through my Goodreads list to search for books that share qualities with my novel. I was particularly interested in recent debut novels that had made a splash or books by established authors that were solid sellers, but not blockbusters. 

Saying something along the lines of “[My title] will appeal to readers who enjoyed [characteristic] in [novel title] by [author], [publisher, date]” is less off-putting than claiming my manuscript is the next The Da Vinci Code.

The Query Critique

I entered a contest on the YA Fusion blog and won a query critique from Manuscript Critique Services. My awesome critique was from Paula Stokes. Here are some of the things I learned. 

The novel summary should follow the emotional sweep of the novel. It’s easy for me to succinctly summarize the plot points, but especially with action novels, the character arc is key. 

Aim for 250-300 words for the plot summary. While many query-writing experts expound on the benefits of an elevator pitch and caution against more than 50 words or three sentences, nearly every positive example of a compelling query falls within this longer limit. 

Include enough of the plot so the story makes sense. A seemingly unrelated string of events is not interesting. The reader needs to know why the character is doing things. See the first point. 

Don’t forget the hook. What is interesting about the novel? Why should an editor or agent scroll down to look at those first five pages?

I highly recommend Manuscript Critique Services.

Submission Advice

Adventures in YA & Children’s Publishing has an excellent article on queries, synopses and first pages. Seven agents talk about the most common submission mistakes. 

My favorite query mistake was from Katie Grimm. She advised against writing a query that "Makes you sound mentally unstable. Maybe you think you sound quirky or that you’ve really done your research, or you’re just that enthusiastic, but show your feet are on the ground and you haven’t been stalking us!"  

It reminds me of an author event I attended with Ruth McNally Barshaw. The audience was small, so we had a chance to chat with the author. (I won’t mention her name here, but she’s a friend of Ruth’s.) The author announced that the second book in a series was about to be released, and I said I was looking forward to reading it. The conversation didn’t go well after that. 

Author: You’ve read [name of first book in series]? 
Me: I’ve read all your books. 
Author: stunned silence. The look on her face said, “Oh, no. It’s a stalker.” 
Ruth (trying to help): Ann reads a lot. 

That’s right. I stalk lots of people.