In 2011, I wrote about an incident in which the Justice Department raided
Gibson Guitar Company on the suspicion that they had used endangered woods to
make modern guitars. Insightful comments from Wyman Stewart stated that many
musicians use heirloom instruments that have unknown provenance. Apparently,
even instruments with clear documentation can be subject to intense scrutiny
when crossing borders. Two members of Pro Arte Quartet, a world-renown string
quartet, were recently detained at Belgium Immigration because their antique
instruments were made from now-endangered woods and the bows contain small
pieces of ivory (link).
While
killing endangered animals or harvesting endangered trees to sell their
products for profit is despicable, antique instruments were made before these
trees or animals were endangered and before alternate substances were
available. Although the instruments and bows in question have their own
passports, the musicians were still detained until Belgian friends were able to
contact the cabinet minister who oversees the Convention on International Trade
in Endangers Species of Wild Flora and Fauna.
This
story had a particular poignancy for me. On our way back from Boston, we were
chosen by the US Immigration Service for a “random” check – probably because we
had four guitars in our station wagon. For us, it only meant a slight delay in
our drive, but we decided to take the southern route around the Great Lakes in
the future.